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mostlysignssomeportents · 2 years ago

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“If buying isn’t owning, piracy isn’t stealing”

20 years ago, I got in a (friendly) public spat with Chris Anderson, who was then the editor in chief of Wired. I'd publicly noted my disappointment with glowing Wired reviews of DRM-encumbered digital devices, prompting Anderson to call me unrealistic for expecting the magazine to condemn gadgets for their DRM:

https://longtail.typepad.com/the_long_tail/2004/12/is_drm_evil.html

I replied in public, telling him that he'd misunderstood. This wasn't an issue of ideological purity – it was about good reviewing practice. Wired was telling readers to buy a product because it had features x, y and z, but at any time in the future, without warning, without recourse, the vendor could switch off any of those features:

https://memex.craphound.com/2004/12/29/cory-responds-to-wired-editor-on-drm/

I proposed that all Wired endorsements for DRM-encumbered products should come with this disclaimer:

WARNING: THIS DEVICE’S FEATURES ARE SUBJECT TO REVOCATION WITHOUT NOTICE, ACCORDING TO TERMS SET OUT IN SECRET NEGOTIATIONS. YOUR INVESTMENT IS CONTINGENT ON THE GOODWILL OF THE WORLD’S MOST PARANOID, TECHNOPHOBIC ENTERTAINMENT EXECS. THIS DEVICE AND DEVICES LIKE IT ARE TYPICALLY USED TO CHARGE YOU FOR THINGS YOU USED TO GET FOR FREE — BE SURE TO FACTOR IN THE PRICE OF BUYING ALL YOUR MEDIA OVER AND OVER AGAIN. AT NO TIME IN HISTORY HAS ANY ENTERTAINMENT COMPANY GOTTEN A SWEET DEAL LIKE THIS FROM THE ELECTRONICS PEOPLE, BUT THIS TIME THEY’RE GETTING A TOTAL WALK. HERE, PUT THIS IN YOUR MOUTH, IT’LL MUFFLE YOUR WHIMPERS.

Wired didn't take me up on this suggestion.

But I was right. The ability to change features, prices, and availability of things you've already paid for is a powerful temptation to corporations. Inkjet printers were always a sleazy business, but once these printers got directly connected to the internet, companies like HP started pushing out "security updates" that modified your printer to make it reject the third-party ink you'd paid for:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Now, this scam wouldn't work if you could just put things back the way they were before the "update," which is where the DRM comes in. A thicket of IP laws make reverse-engineering DRM-encumbered products into a felony. Combine always-on network access with indiscriminate criminalization of user modification, and the enshittification will follow, as surely as night follows day.

This is the root of all the right to repair shenanigans. Sure, companies withhold access to diagnostic codes and parts, but codes can be extracted and parts can be cloned. The real teeth in blocking repair comes from the law, not the tech. The company that makes McDonald's wildly unreliable McFlurry machines makes a fortune charging franchisees to fix these eternally broken appliances. When a third party threatened this racket by reverse-engineering the DRM that blocked independent repair, they got buried in legal threats:

https://pluralistic.net/2021/04/20/euthanize-rentier-enablers/#cold-war

Everybody loves this racket. In Poland, a team of security researchers at the OhMyHack conference just presented their teardown of the anti-repair features in NEWAG Impuls locomotives. NEWAG boobytrapped their trains to try and detect if they've been independently serviced, and to respond to any unauthorized repairs by bricking themselves:

https://mamot.fr/@[email protected]/111528162905209453

Poland is part of the EU, meaning that they are required to uphold the provisions of the 2001 EU Copyright Directive, including Article 6, which bans this kind of reverse-engineering. The researchers are planning to present their work again at the Chaos Communications Congress in Hamburg this month – Germany is also a party to the EUCD. The threat to researchers from presenting this work is real – but so is the threat to conferences that host them:

https://www.cnet.com/tech/services-and-software/researchers-face-legal-threats-over-sdmi-hack/

20 years ago, Chris Anderson told me that it was unrealistic to expect tech companies to refuse demands for DRM from the entertainment companies whose media they hoped to play. My argument – then and now – was that any tech company that sells you a gadget that can have its features revoked is defrauding you. You're paying for x, y and z – and if they are contractually required to remove x and y on demand, they are selling you something that you can't rely on, without making that clear to you.

But it's worse than that. When a tech company designs a device for remote, irreversible, nonconsensual downgrades, they invite both external and internal parties to demand those downgrades. Like Pavel Chekov says, a phaser on the bridge in Act I is going to go off by Act III. Selling a product that can be remotely, irreversibly, nonconsensually downgraded inevitably results in the worst person at the product-planning meeting proposing to do so. The fact that there are no penalties for doing so makes it impossible for the better people in that meeting to win the ensuing argument, leading to the moral injury of seeing a product you care about reduced to a pile of shit:

https://pluralistic.net/2023/11/25/moral-injury/#enshittification

But even if everyone at that table is a swell egg who wouldn't dream of enshittifying the product, the existence of a remote, irreversible, nonconsensual downgrade feature makes the product vulnerable to external actors who will demand that it be used. Back in 2022, Adobe informed its customers that it had lost its deal to include Pantone colors in Photoshop, Illustrator and other "software as a service" packages. As a result, users would now have to start paying a monthly fee to see their own, completed images. Fail to pay the fee and all the Pantone-coded pixels in your artwork would just show up as black:

https://pluralistic.net/2022/10/28/fade-to-black/#trust-the-process

Adobe blamed this on Pantone, and there was lots of speculation about what had happened. Had Pantone jacked up its price to Adobe, so Adobe passed the price on to its users in the hopes of embarrassing Pantone? Who knows? Who can know? That's the point: you invested in Photoshop, you spent money and time creating images with it, but you have no way to know whether or how you'll be able to access those images in the future. Those terms can change at any time, and if you don't like it, you can go fuck yourself.

These companies are all run by CEOs who got their MBAs at Darth Vader University, where the first lesson is "I have altered the deal, pray I don't alter it further." Adobe chose to design its software so it would be vulnerable to this kind of demand, and then its customers paid for that choice. Sure, Pantone are dicks, but this is Adobe's fault. They stuck a KICK ME sign to your back, and Pantone obliged.

This keeps happening and it's gonna keep happening. Last week, Playstation owners who'd bought (or "bought") Warner TV shows got messages telling them that Warner had walked away from its deal to sell videos through the Playstation store, and so all the videos they'd paid for were going to be deleted forever. They wouldn't even get refunds (to be clear, refunds would also be bullshit – when I was a bookseller, I didn't get to break into your house and steal the books I'd sold you, not even if I left some cash on your kitchen table).

Sure, Warner is an unbelievably shitty company run by the single most guillotineable executive in all of Southern California, the loathsome David Zaslav, who oversaw the merger of Warner with Discovery. Zaslav is the creep who figured out that he could make more money cancelling completed movies and TV shows and taking a tax writeoff than he stood to make by releasing them:

https://aftermath.site/there-is-no-piracy-without-ownership

Imagine putting years of your life into making a program – showing up on set at 5AM and leaving your kids to get their own breakfast, performing stunts that could maim or kill you, working 16-hour days during the acute phase of the covid pandemic and driving home in the night, only to have this absolute turd of a man delete the program before anyone could see it, forever, to get a minor tax advantage. Talk about moral injury!

But without Sony's complicity in designing a remote, irreversible, nonconsensual downgrade feature into the Playstation, Zaslav's war on art and creative workers would be limited to material that hadn't been released yet. Thanks to Sony's awful choices, David Zaslav can break into your house, steal your movies – and he doesn't even have to leave a twenty on your kitchen table.

The point here – the point I made 20 years ago to Chris Anderson – is that this is the foreseeable, inevitable result of designing devices for remote, irreversible, nonconsensual downgrades. Anyone who was paying attention should have figured that out in the GW Bush administration. Anyone who does this today? Absolute flaming garbage.

Sure, Zaslav deserves to be staked out over an anthill and slathered in high-fructose corn syrup. But save the next anthill for the Sony exec who shipped a product that would let Zaslav come into your home and rob you. That piece of shit knew what they were doing and they did it anyway. Fuck them. Sideways. With a brick.

Meanwhile, the studios keep making the case for stealing movies rather than paying for them. As Tyler James Hill wrote: "If buying isn't owning, piracy isn't stealing":

https://bsky.app/profile/tylerjameshill.bsky.social/post/3kflw2lvam42n

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/08/playstationed/#tyler-james-hill

Image: Alan Levine (modified) https://pxhere.com/en/photo/218986

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

#pluralistic #playstation #sony #copyright #copyfight #drm #monopoly #enshittification #batgirl #road runner #financiazation #the end of ownership #ip

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greenhorn-art · 1 year ago

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World Champions | Artwork for World Champions by TheDefenestrator by TheDefenestrator, art by Blurb_brain

Fandom: The King's Avatar | 全职高手

Rating: Teen And Up Audiences

Category: Gen

Words: 71 944

At the end of season 4 of the Glory Pro Alliance, the government finally receives the information it has been waiting for: The other players have caught up. Or, In which Glory has been a government recruitment ploy for remote-piloted mecha operators all along.

About the Book

FONTS: Mundo Serif, Azonix [dafont], Segoe UI Symbol

IMAGES: Illustration by Blurb_brain [AO3]; cover image by NASA ID: 440611 [Rawpixel]; Planet Earth background ID: 6331593 [Rawpixel]; Circuit lines background ID: 3117935 [Rawpixel]; endpapers' image by Eric Eastman [Unsplash]; Swoksaar, Desert Dust, Lord Grim, Vaccaria, and Cloud Piercer [The King's Avatar Wikia]

MATERIALS: regular printer paper (8.5"x11", 96 bright, 20lb), 80pt bookboard, Iris Bookcloth (colour: Black Pearl), Neenah cardstock (8.5"x11", bright white, 65lb), waxed linen thread (white, 30/3 size), embroidery floss (shades 3750, 350, 3845, 370), leather cording (1.9mm diameter), Reeves’ acrylic paint (Mars Black, Phthalo Blue, Titanum White), Americana acrylic paint (glow in the dark), ph neutral pva glue (Books by Hand)

PROGRAMS USED: Typeset in Affinity Publisher, cover/title page/endpapers designed in Affinity Designer/Photo, QR codes generated with LibreOffice Writer, PDF arranged for printing with Bookbinder-JS

BINDING STYLE: quarto, case bound (slightly rounded, with oxford hollow, forgot to use tapes)

Fenes' "Glory's tech isn't handwaved" AU. This was great! Funny and creative, and I'm both amazed and full of admiration for Fenes' ability to juggle so many characters.

I was feeling excited and ambitious with this one. Tried some new fun things (double core endbands, painted edges) and used some new equipment (a lying press).

The Text

TITLE/HEADINGS FONT: Azonix says 'SciFi' to me, it's a bold, non-serif, sleek font.

BODY FONT: Mundo Serif, it's a decent serif body font I haven't used before. Felt like it worked with Azonix.

SCENE BREAKS: a special character in Segoe UI Symbol of a black & white icon of Earth, the globe showing Asia.

TYPESETTING: Finished typesetting the fic, left document open on my laptop, laptop's battery failed, file now crashes immediately upon reopening, issue persists with copied versions of file (；￣Д￣) . Thankfully I had a backup file for the typeset with the barebones of the text, so I didn't have to restart from scratch...

Title Page

My thinking: it takes place in space, the world's at stake, and it's the dawn of a new horizon for Earth. Glory and the titular champions are represented by Swoksaar, Desert Dust, Lord Grim, Vaccaria, and Cloud Piercer – the captains of what I'd call the 'big 5' teams. A circuitry board background element hints at the tech/mecha nature of the story's competition. It may not match Blurb's art, but I hope I was able to convey some of what the story is about.

The circuitry image is used as decoration throughout the book. I only used the avatars of the top five teams' captains because too many silhouettes would lessen their impact and readability. (Removing the backgrounds was tedious, but worth it.)

Here's what it should have looked like. The test prints for this and the BB art were fine, but I think my inkjet started running out of ink just when I printed the final copies and I didn't reprint them. (Too impatient, really wanted to finish up and read the book)

The Cover

World Champions is another Big Bang fic, and once again I based some of my design choices off of the accompanying artwork. The dominant colours of Blurb_brain's illustration are red and blue-green.

COVER PAPER: For the decorative cover material I used NASA's ASTER image of Poyang Lake. NASA has some really interesting photography some of which remind me of marbled paper, thought it could be interesting. I chose this image of Poyang Lake because 1) it's in China, 2) the colours were similar to Blurb's awesome illustration (fate strikes again, dropping matching images and artwork into my lap!), and 3) NASA is tangentially relevant to the fic, which takes place in space.

BOOKCLOTH: Verona bookcloth in the shade Black Pearl, a lovely dark navy blue colour. Thought it suited the cover paper and title page. (Bought it for this fic specifically, but the colour goes well with almost all of my decorative papers so it should see a lot of use in the future!)

Endpapers

The final decision that held this project at a standstill for two months. In the end I drew inspiration from the matchups against the final opponent in the story. The image I used is a little chaotic and a little too unrelated to identify why I picked it without an explanation, but this book is for me and I know why, so there. (Note that I played around with the colours and cropped the photo.)

Endpaper inspiration: the maps for the matches against the Infilhites

"a long bridge through an enormous tube-like hall, where light seem to come from every side through stained glass windows. It was visually confusing, limited lateral motion" "a warehouse, crates stacked on and beside metal racks that went all the way to the ceiling." "a house of mirrors, fully enclosed to be sure the Infhillte couldn’t fly out of it." "like a volcano, rivers of lava moving sluggishly down a slope, occasional vents of overheated air nearby." "a series of overlapping bridges between halls and stairways, level after level layered over an open abyss."

Trimming & Painting the Edges

Going all out, a 2-for1 deal: the opportunity to use my lying press for the first time and learn a new technique!

TRIMMING: Used a paring chisel and lying press.

CHISEL: The 1.25" wide paring chisel I used was form a modern manufacturer. (Vintage paring chisels are very thin, enough so that you can bend/flex the blade. But don't do that.) It's long and wide blade made it easier to register against the surface of the press for consistent cuts. Looks like this one below from Lee Valley.

LYING PRESS: My dad's project. Solid black walnut, hand carved screws and internal threads — he even made the tools to make the threads too! The jaws of the press are each 3 7/8" wide. It's big and heavy (though much smaller than full-sized professional ones omg), but there's enough of a flat surface to register the chisel against. A thicc boi, much like this one below from Bookbinding Supplies.

PAINTED EDGES: The idea was to have dark navy edges, speckled with white stars. I used acrylic from a tube to paint the edges — tutorials recommended it over liquid bottled acrylic, and I had an old set hanging around. Had to water it down because otherwise the paint just flaked off.

My test of trimming and painting went well. Then the trimmed book itself came out slightly crooked, the paint required significantly more watering-down than before, and the white paint did not want to be both opaque and speckle-able. Unfortunate, but still book-shaped! And now I have an idea of what to do differently next time.

Also, did not like the glow-in-the-dark paint. Looked too translucent in the light when compared to the white acrylic, and needed a thicker coat to be visible in the dark. (The thickness combined with the translucence and base colour kinda reminded me of boogers... Ended up scrapping most of it off, so there's not much left to glow.)

Endbands

Still in the mood to have fun and go all-out, I attempted double-core endbands for the first time.

TUTORIAL: YouTube @ BookbindersChronicle: Bookbinding 101 Sewing Headbands Session 2. Also watched @ DAS Bookbinding's Double-Core Endband // Adventures in Bookbinding, but I personally found Chronicle's closeup video easier to follow.

I used embroidery floss from a 100pk of assorted colours off Amazon, wrapped around a core of 1.9mm leather cording from Michaels. I drew from Blurb_brain's art for the general colours, choosing a dark base, with red, blue-green, and gold. The specific shades were picked to go with the cover.

#World Champions #TheDefenestrator #Blurb_brain #qzgs #tka #the king's avatar #fanfiction #bookbinding #fanbinding

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fencerdevlog · 9 months ago

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youtube

Hi everybody! This time, I would create another 2D post-processing filter that could be useful if, for example, we want to display a newspaper article with a color image in our game, which should look like it was printed on an inkjet printer. In other words, we'll convert the image into a four-color raster in CMYK coding.

#youtube #devlog #gamedev #godot engine #blender #indiedev #game development #indiegamedev #video games #programming #shaders

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mr-claus · 22 days ago

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Hello im regular now I promise

i drank the pepsi

which printer do i print this document? inkjet 2? no that one is broken i broke it it whispered a series of binary code that amounted to calling your mama fat as hell and i couldnt let that slide but inkjet 2a is also broken because steve fucked it

steve put his dick in the damn ink slot and now its broken

can I just fax it to myself?

#office work #pepsi #steve

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packagingworldinsights · 2 months ago

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Domino Presents New Monochrome Inkjet Printer at Labelexpo Southeast Asia 2025

Domino Printing Sciences (Domino) is pleased to announce the APAC launch of its new monochrome inkjet printer, the K300, at Labelexpo Southeast Asia. Building on the success of Domino’s K600i print bar, the K300 has been developed as a compact, flexible solution for converters looking to add variable data printing capabilities to analogue printing lines.

The K300 monochrome inkjet printer will be on display at the Nilpeter stand, booth F32, at Labelexpo Southeast Asia in Bangkok, Thailand from 8th–10th May 2025. The printer will form part of a Nilpeter FA-Line 17” hybrid label printing solution, providing consistent inline overprint of serialised 2D codes. A machine vision inspection system by Domino Company Lake Image Systems will validate each code to ensure reliable scanning by retailers and consumers whilst confirming unique code serialisation.

“The industry move to 2D codes at the point of sale has led to an increase in demand for variable data printing, with many brands looking to incorporate complex 2D codes, such as QR codes powered by GS1, into their packaging and label designs,” explains Alex Mountis, Senior Product Manager at Domino. “Packaging and label converters need a versatile, reliable, and compact digital printing solution to respond to these evolving market demands. We have developed the K300 with these variable data and 2D code printing opportunities in mind.”

The K300 monochrome inkjet printer can be incorporated into analogue printing lines to customise printed labels with variable data, such as best before dates, batch codes, serialised numbers, and 2D codes. The compact size of the 600dpi high-resolution printhead – 2.1″ / 54mm – offers enhanced flexibility with regards to positioning on the line, including the opportunity to combine two print stations across the web width to enable printing of two independent codes.

Operating at high speeds up to 250m / 820′ per minute, the K300 monochrome inkjet printer has been designed to match flexographic printing speeds. This means there is no need to slow down the line when adding variable data. Domino’s industry-leading ink delivery technology, including automatic ink recirculation and degassing, helps to ensure consistent performance and excellent reliability, while reducing downtime due to maintenance. The printer has been designed to be easy to use, with intuitive setup and operation via Domino’s smart user interface.

“The K300 will open up new opportunities for converters. They can support their brand customers with variable data 2D codes, enabling supply chain traceability, anti-counterfeiting, and consumer engagement campaigns,” adds Mountis. “The versatile printer can also print variable data onto labels, cartons, and flatpack packaging as part of an inline or near-line late-stage customisation process in a manufacturing facility, lowering inventory costs and reducing waste.”

Code verification is an integral part of any effective variable data printing process. A downstream machine vision inspection system, such as the Lake Image Systems’ model showcased alongside the K300, enables converters and brands who add 2D codes and serialisation to labels and packaging to validate each printed code.

Mark Herrtage, Asia Business Development Director, Domino, concludes: “We are committed to helping our customers stay ahead in a competitive market, and are continuously working to develop new products that will help them achieve their business objectives. Collaborating with Lake Image Systems enables us to deliver innovative, complete variable data printing and code verification solutions to meet converters’ needs. We are delighted to be able to showcase an example of this collaboration, featuring the .”

To find more information about the K300 monochrome printer please visit: https://dmnoprnt.com/38tcze3r

#inkjet printer #variable data printing #biopharma packaging #glass pharmaceutical packaging #pharmaceutical packaging and labelling #Labelexpo Southeast Asi

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sfarxuri · 7 months ago

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Another one of my GPAS Ocs I have lol She's the leader of a ninja clan, specifically the metal clan! During the years that clarity took over there were some books & old building that had knowledge of the old world that a formie kept in his hideout, none of his peers thought it was a good idea but they ended up being assimilated moments before he had the chance to change their minds. Alone the lone formie male was cautious when scavenging around scrapyards around the islands of Luna until discovering a robot named Alloy, she was suppose to be none feeling but instructions when creating her were very indecisive so she ended up being disposed of when she tried to help the formie military but almost got them killed by setting off the ammunition storage by accident. Feeling pity for the lady robot the male formie takes her in & decides to be her caretaker forming a strong bond. As they traveled the male formie decided to want to lead a clan of ninjas with a code of honor from the past when he got invested reading more of the old world. Alloy gets the idea to try to find some GPAs to repair to form a clan! So they go around in the day/afternoon time to find remains of GPAS stumbling into faces of the past, those being Fark Force units! Being Effer Guards, Mechanics, Recruits, R & D, Gunmari, Bowmari, & Swordmari! Being repaired by he kind male formie & Alloy the Ex Effer units are grateful for their help, with no where to go they accept being part of a group once more thus leading to the creation of the Metal clan!

An unfortunate accident happens where amidst of celebration when enough members have been found & recruited Alloy gets way too excited that she bumps into some loose pipes that cause a chain of events of a large pipe falling ontop of her beloved caretaker's head causing him to pass away from the collusion. The metal clan decide to make a burial in the basement for him & in his honor decide to be a ninja clan that fights for good although when the age of piracy happens on Luna they become thieves as time passes. They still keep their moral code of not killing anyone thats a GPA or Formie, only Agents of Clarity if they spot them wandering too close to their hide out or out and about. They are mostly stealthy although they end up getting attention from the wrong people during a night raid on a pirate ship at sea. Some other thieves see the metal clan schedule only appearing at night giving them the idea of forming their own clans for self preservation becoming "false ninjas", 3 clans are formed & they all cause trouble througout the years. Alloy doesn't know what to think of these other clans showing up but she doesn't engage in their shenanigans only thing she cares is about the safety & comfort of her clan. (Think of Princess Peach & the toads) She will fight to protect them at any cost, if some effer units come back with injuries she will keep their spirits high & repair them immediately! The reason she goes out at night with her clan is because the pirates are asleep making it the perfect opportunity to steal metal resources to expand her hide out. If some pirates do wake up they will be confused why their treasure is still in one place but will find themselves panicking when their ships start to sink. Its how she ends up meeting the Inkjet Pirates, Captain Mendoza develops a crush on her due to how silly & kind she is that he will take a break from treasure hunting with his crew to go on dates with her. They do the unimaginable in the age of piracy, that being a Pirate falling in love with a Ninja! Since the rivalry is very strong during clarity's take over & defeat its something very unheard of. They don't see each other that often so they cherish moments they do spend time with each other! Fast forward many years & tragedy strikes! A ninja clan that Oscuri was part of emerges from their stasis pods, they are old world but corrupted by their leader, Raymond. The Blight Clan is very hostile when they awaken they run into these other clans eliminating some of their rivals very easily & swiftly that the false ninjas submit & join forces with Blight out of fear, the only clan to take over was Metal. While Alloy faced off with Raymond there was a stand off, if she kept rebelling then her ninja clan would be taken apart & melted down into scraps/batteries used to make sulfuric acid as their weapons or to join forces & serve under Raymond. Feeling very troubled she surrenders although some of the metal clan fight back being thrown in jail cells. Fearing what other things can turn for the worst the elites stand down along side the smaller effer units, its a way Raymond trys to corrupt them to be evil but they all just pretend to play along, Alloy being under restrictions is trying to find someone to help her free the Metal Clan from Blight Clan's grasp. Due to these events Mendoza wonders why he isn't finding Alloy in the usual spots they would hang out & makes him think she was killed by Agents of Clarity, not knowing that shes actually been kidnapped by evil ninjas.

#mistress alloy #spark tej #spark tej ocs #sparktej #spark the electric jester #medic of luna #shes like a mix of princess peach & master kogha lol #I used double as a ref for her back story since I didn't wanna draw another formie lmao #its suppose to be like a parallel to that btw with her having a master & then suddenly passing away leaving her alone #but she has a ninja clan to look after!#also alittle bit of princess zelda from twilight princess with her surrender to the blight clan #stej #she does end up teaming up with some familiar faces in scala hehe #oscuri has a moment of whiplash since this would be the second time she sees fellow ff members post clarity #girl is emotional that they remember her & wish them all a happy life after helping the metal clan

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